A
Nation Gone Blind: America in an Age of Simplification and
Deceit
By Eric Larsen
Shoemaker & Hoard, 2006
ISBN: 1-59376-098-1
291 pp.; $16.00
Two years have passed since Eric Larsen�s A Nation Gone Blind was
published -- two long years during which time I, and doubtless many others,
would have been less pained had I, we, known that another soul had penned these
words of truth, nowadays so seldom heard. For it is truth which is
central to Larsen�s book, his solitary search for it, and his well-wrought
conclusion that the public at large and even our so-called intellectual classes
-- including writers, editors and academics (in the humanities no less) -- are
no longer able to think well due to a preponderance of feeling and zeal which
has largely crowded out clear reasoning based on empirical evidence and logic.
Al Gore said as much, a year later, in The Assault on
Reason. Like Larsen, Gore points
out that the foot soldiers and carpet bombers of this assault are the mass
media, especially the television broadcasters who have brought us -- in their
quest for maximized profits -- not to our knees but onto our derrieres. In
Gore�s words, �The Republic of Letters has been invaded and occupied by the
empire of television,� which he goes on to report Americans watch �an average
of four hours and thirty-five minutes every day,� or �almost three-quarters of all the discretionary time that the
average American has.�
Yet ever the scripted statesman and corporate board member,
Gore perpetuates in his treatise the platitudes which are, themselves,
indicative of what Larsen refers to as the Age of Simplification:
It is too easy -- and too partisan -- to simply
place the blame on the policies of President George W. Bush. We are all
responsible for the decisions our country makes. We have a Congress. We have an
independent judiciary. We have checks and balances. We are a nation of laws. We
have free speech. We have a free press. Have they all failed us?
Need we ask? Need Gore have asked, as late as 2007? Of
course they have failed us, utterly and miserably. But the more foundational
question is whether we do, in fact, have a Congress, an independent judiciary,
checks and balances, free speech or a free press, or whether �we are a nation
of laws�?
At best, Gore�s platitudes are half-truths. At worst, they
bespeak of the farce which Frederick Douglass decried in his July 5, 1852
speech in his hometown of Rochester, New York, after being invited to join his
fellow townspeople in commemorating the signing of the Declaration of
Independence:
What, to the American slave, is your 4th of July? I
answer: a day that reveals to him, more than all other days in the year, the
gross injustice and cruelty to which he is the constant victim. To him, your
celebration is a sham; your boasted liberty, an unholy license; your national
greatness, swelling vanity; your sounds of rejoicing are empty and heartless;
your denunciation of tyrants, brass fronted impudence; your shouts of liberty
and equality, hollow mockery; your prayers and hymns, your sermons and
thanksgivings, with all your religious parade and solemnity, are, to Him, mere
bombast, fraud, deception, impiety, and hypocrisy -- a thin veil to cover up
crimes which would disgrace a nation of savages. There is not a nation on the
earth guilty of practices more shocking and bloody than are the people of the
United States, at this very hour.
Like Douglass, Larsen has the chutzpah to resist politic
bromides:
For the same reasons [that America�s literary
future looks grim], the social-political future is equally or more unpromising.
The odds in favor of the United States remaining a free country are
insufficient to encourage a bet on the prospect. Worse, the question as to
whether we�re now a free country may be a mere technicality.
The author was born in 1941, the timing of which Larsen sees
as fortuitous as he thereby caught a brief glimpse of the old America, when our
representative democratic republic had yet to devolve into a national security
state, a ruinous amalgamation of government, corporation and mass media which
has programmatically de-educated erstwhile citizens, converting us in our blind
passivity into mere consumers. �Each person,� he says, �must be transformed in
such a way as not only to remain indolent in the face of leadership�s tyrannies
and injustices, but also to adhere to his or her role as a cog, if you will, in
the vast economic machine that keeps the whole state going.�
Therefore the mass media, television in particular but also
radio and print media, must propagate �the Big Lie -- the Umbrella Lie --
[which] is that any half-truth the media gives us is in fact a whole truth.�
Real-world complexity must be simplified and neutered of meaningful content so
as not to scare off advertisers or, more fundamentally, to cause the public to
question the corporate-state paradigm the overbearing existence of which is the
missing and unspeakable other half of �the Big Lie.�
In other words, our nominal democracy relies upon we the
people -- its nominal citizens -- not being given any information of
significance which may cause us to think, or even to feel fully, to see and to
feel reality as it truly and objectively is.
In the Brave New World which is the present-day United
States, we must be transfigured, disfigured, into something less than human.
�The ideal consumer could be identified as the person who never votes but
always buys, who never thinks but always wants. This wanting should always be
kept, insofar as possible, on the sensory, emotional, and voluptuary level: It
must be, as with food or sex, a desire that results in its own gratification
but awakens again as desire soon afterward.� As an American living in the UK, I
would say -- to the displeasure of Britons who by and large (blindly) consider
themselves to be above the American fray -- Larsen�s words hold as true here as
well. Why wouldn�t they when the U.S. and the UK have long operated as
conjoined twins?
A retired English professor, prize-winning novelist, and
critic -- and, I daresay, a philosopher -- Larsen traces the advent of the Age
of Simplification to 1947, the year, he points out, which heralded in the
National Security Council. I hasten to add that the same National Security Act
which established the NSC also and simultaneously created the CIA, the
permanent and, by its nature, secretive and extralegal agency which serves not
to protect our national security so much as it precludes the very possibility
of any semblance of open, transparent democracy -- that is to say democracy,
period -- whose people are secure from arbitrary lawlessness and tyranny, from
without, yes, but more so from within.
Further, the agency�s exploits abroad have a history of at-home blowback.
In follow-up to his discussion that television must not
broadcast content of any �significance or importance� which �might trigger
emotion or inspire thinking, thereby harming or endangering the sponsor�s
interest by jeopardizing the continued acceptance of the half-truth as whole,�
Larsen asks, rhetorically:
Would HBO, on the other hand, run a
noncomic and nonfictional dramatic series about U.S. government figures or
agencies assassinating foreign statesmen and American citizens, laundering
money for corporate interests, importing drugs into the United States, or
�allowing� catastrophes like 9/11 to occur, if only by not preventing them, for
the purpose of reaping political benefit therefrom?
Clearly Larsen therein refers, in great part, to the CIA,
which it is worth noting is but one of 16 member agencies of the U.S.
intelligence community.
Like a philosopher of old before philosophy itself was shut
up, split up and stifled within the academy, Larsen�s purview spans the whole
of what it means to be human, and his sweep of subject matter exerts itself as
an opposing force against the tendency to arbitrarily truncate, categorize and
proscribe.
So while A Nation Gone Blind has been pigeonholed as a book on
�Current Affairs & Politics,� it likewise abounds with words of wisdom
concerning the arts of writing and thinking, the uses and abuses of language,
and the key teaching of the literary arts and the arts generally. This teaching
Larsen sees as the engaging, in equal measure, of the intellectual and the
emotional (or thinking-feeling) self in an �art-experience� which enables us,
as necessarily solitary beings, to be able to partake of the universal.
This thesis, as with the rest of the rich, layered tapestry
which composes the whole of Larsen�s argument, is woven with great care -- a
complexity which may be mistaken by the blinded as insufficiently linear --
until Larsen has shaped, molded and finely articulated four decades of thought
during which time he led college classes in English language and literature,
the literary arts, generally, as well as in the seminal texts of Western
civilization. And it is clear that he has thought long and hard about the
changes he witnessed in the classroom and in his colleagues during his teaching
career.
In brief, Larsen�s less-senior colleagues -- themselves
educated, de-educated or anti-educated in the midst of the Age of
Simplification -- have been politicized. As Larsen is also political this, in
itself, is not the problem. The problem arises when his colleagues in the
humanities, generally, but in the literary arts and in English departments, in
particular, forsake literature as art to, instead, push sociopolitical
messages, or propaganda, by way of the books. Larsen acknowledges that this
liberal-left �new professoriate� means well. But in the process of doggedly
pursuing social and political justice, these teachers -- many no doubt
unwittingly, which amounts to another sign of their blindedness -- are not
educating, but indoctrinating students, not teaching them how to think,
but what to think:
And this atrocity, believe it or not, this
benighted ruination of all that undergraduate education ought to be, this
example of simplification and almost perfect failure and of -- I�ll say it,
tyranny -- comes about, in large part, from the desire to do good.
Yet, Larsen observes:
Instead, unbeknownst to themselves, they are
actually laboring for their own worst enemy, the oppressive and
not-to-be-trusted political-economic-corporate �government.� They are, in
truth, actively helping to demean, subvert, and destroy what�s genuinely
individual in people, and they are helping to replace it with the latest
perfected model of the diminished, obedient, passive consumer. They are, from
dawn to dusk, collaborating with the very enemy they think that they especially
have the wisdom to defeat.
By this point the simplification-inflicted may have stopped
reading this review in anger and disgust at having landed upon another
right-wing rant concerning the great cultural divide. But they would be
mistaken, and this would provide yet more evidence of their infliction, as
Larsen -- no Allan Bloom, politically -- is himself �a left-leaning liberal�
and, as we�ve seen, a vociferous critic of the corporate-state. To his credit,
Larsen doesn�t divulge where he is on the left-right continuum until Page 244,
as he rejects the notion that the entirety of one�s being must fit into one
monolithic political package. He laments the loss of an age when T.S. Eliot
could consider himself �an Anglo-Catholic in religion, a classicist in
literature and a royalist in politics,� and adds:
Almost no one any longer believes, or is capable of
believing, that the individual life can consist of or be made up simultaneously
of different areas, elements, or categories; and that these elements can (or
must) be governed by different rules or assumptions from one another; and,
above all, that these different areas, however greatly different, can still
be equal to one another in significance.
So goes the gist of Larsen�s indictment of his academic
colleagues.
Perhaps not surprisingly, he is no less critical of a group
of 15 prominent American writers who after 9/11 were invited, and paid, by the
U.S. State Department to submit essays for an anthology to be issued abroad. As
official propaganda, the Smith-Mundt Act of 1948 prohibits domestic
distribution of the anthology; however, it is available on the State Department�s
website designed for foreign readers.
The essay question which the State Department assigned was,
�In what sense do you see yourself as an American writer?�
Larsen�s critique of the essays composes the bulk of Part 1 of his
three-part book. For our purposes, it is sufficient to say that the writers --
amongst them four Pulitzer Prize winners and two U.S. poet laureates, including
the then-standing laureate, Billy Collins (Robert Pinsky�s the other) -- fared
poorly overall. Larsen assigned grades to the essays as he would to his students�
work. While the essays �were, by and large, just awful,� having just now named
two of the writers, I must add that Larsen gave Collins an A+ and Pinsky a B-.
Significantly, however, both of these writers were born before 1947.
Even to read Larsen�s criticism as a bystander is to undergo many a
cringing moment. He is brutally honest as he dissects the essays. But as they
were written by premier American writers to share with the world, to in effect
serve as narrative-based American ambassadors -- and were, presumably, the very
best that each of these writers could produce on the topic of what it means to
be an American writer -- the essays and their authors are fair game for the
criticism they elicit from Larsen. And while frank, he also criticizes with compassion
as he sees that many of the writers, those who produced the worst essays, are
products of the Age of Simplification and have been blinded by their milieu.
They are simply unable to think well, their thinking and their writing lacking
specificity or any indication that they are aware of their own thinking or
their own selves.
I shudder to contemplate the many writers, thinkers and
academics who may never come across Larsen�s uncommon -- and thus all the more
vital -- observations and admonitions which he has shared with us, and who
continue to portray themselves as intellectuals, but whose intellectual prowess
may be considerably less than they imagine. But despite the prognosis, Larsen
continues to hope against failing hope that we who claim, or aspire, to
participate in the life of the mind and the arts will awaken to our plight and
then act to, literally, save our own selves and, thereby, our failing nation.
Books like A Nation Gone Blind can, indeed, inspire an individual
toward these ends, for I myself was similarly moved, in the spring of 2001, by
Stephen Bertman�s Cultural Amnesia: America�s Future and the Crisis of
Memory in which the author makes a case for general education as a means
for Americans to regain a sense of the past which we are so dangerously close
to losing. In Chapter 6, entitled �National Therapy,� Bertman discusses various
Great Books programs, and specifically St. John�s College, as doing their part
to solidify our tenuous connections to the historical events and great minds
that have shaped modern society. Had I not discovered his book on the �New
Books� shelf as I was about to leave the Forbes Library in Northampton,
Massachusetts, I likely would never have decided to attend, let alone earn two
master�s degrees from the Graduate Institute at St. John�s College, a tiny
pocket of the world (actually two tiny pockets as SJC exists on two campuses,
in Annapolis, Maryland and Santa Fe, New Mexico) where the literary life is,
against all odds, alive and well.
But these tiny pockets are clinging like barnacles against
an ocean of mass-media-induced passivity and mediocrity, tidal waves of
deception, half-truths, misdirection and, perhaps most damaging of all, a
litany of lies of omission.
And even St. John�s has its own creeping ideology -- which
to the extent that it surfaces at all in explicit form appears antithetical to
that of Larsen�s �new professoriate� but, in the end, has the very same effect
-- which, through propagandizing, threatens to extinguish the light of a true liberal
arts education. That ideology is Straussianism, the presence of which, a senior
tutor confided to me in hushed tones, �is a millstone around the neck of the
College.� Like Larsen, this now-deceased St. John�s tutor, Beate Ruhm von
Oppen, expressed concern that students were being indoctrinated, not educated.
And her assessment is all the more poignant given her 40-plus years teaching at
St. John�s in addition to working in British intelligence during WWII analyzing
Nazi propaganda.
Let us return, in closing, to Frederick Douglass�s speech of
July 5, 1852:
Allow me to say, in conclusion,
notwithstanding the dark picture I have this day presented, of the state of the
nation, I do not despair of this country. [ . . . ] I, therefore, leave off
where I began, with hope. While drawing encouragement from the Declaration of
Independence, the great principles it contains, and the genius of American
institutions, my spirit is also cheered by the obvious tendencies of the age. [
. . . ] Knowledge was [in the past] confined and enjoyed by the privileged few,
and the multitude walked on in mental darkness. [ . . . ] Intelligence is
[presently] penetrating the darkest corners of the globe.
Whereas Douglass found hope, encouragement and even cheer in
the intelligence of his age as well as in the principles and outcomes of the
Age of Enlightenment, Larsen�s hope is understandably, and almost unbearably,
diminished in this, our, Age of Simplification. �And the last thing the
corporate-state wants is large numbers of true selves that actually have whole
consciousness.� Yet the fulfillment of Larsen�s fading hope is contingent upon
just such a whole self, and, indeed, many such selves:
Only such a person, therefore, will be able to see
through the omnipresent lies, deceit, conditionings, shortcuts, and hypocrisies
that constitute and perpetuate the Age of Simplification all around us
at every moment of the day and night and that nevertheless are unseen and
unsensed by most. Only such a person, one who still can see, could make it
possible that something, somehow, might still be done to save us all.
And yet where such a person might come from,
although I may once have known, I no longer have the least idea.
Will we -- can we -- grasp the lifeline Larsen has
thrown us?
Sean
M. Madden is an American writer living in East Sussex, England. His work
appears on websites ranging from Information Clearing House to UPI�s
ReligionAndSpirituality.com, from Thomas Paine�s Corner to Guerrilla News
Network, and from Carolyn Baker�s popular website to the Populist Party of
America website. Sean also edits and writes for his iNoodle.com and MindfulLivingGuide.com
blogs, and welcomes correspondence from readers. His email address is sean@inoodle.com.